Natural Ones

As offensive as Kids was, the soundtrack, while adhering close to the tone and plot of the film, also provided a revelatory experience. I don't mean that in the sense that it brought outsiders like Daniel Johnston and Slint closer to the mainstream (many of us were already listening to those bands). — although it did that. What made it so revealing, though, was the way it brought an infusion of hip-hop into indie rock. Sure, there were other experiments in the space — like the soundtrack for Judgment Night — that would have also claimed to have made that fusion. That collection of rap/rock collaborators was done in such a contrived, corporate way that managed to be simultaneously self-conscious and overly brash. The Judgment Night soundtrack was made by people who grew up thinking Aerosmith and Run DMC had obtained the perfect elixir of hip-hop and classic rock alchemy. Lou Barlow and John Davis had a different vision when they composed and compiled the Kids soundtrack.

Davis and Barlow had started off as an experimental folk outfit whose name played on the Jon Spencer Blues Explosion, a band whose popularity was rising at the time. Incidentally, Spencer's band combined a faux-bluesy posture with a phoned-in (literally) rap from new indie breakout superstar Beck Hanson. It wasn't until the soundtrack work that listeners heard how influences from R&B and hip-hop powered the Folk Implosion duo. It was anything but the folk that was to be expected from the Folk Implosion or the solo work of Davis and Barlow. The soundtrack scored a genuine hit with the song "Natural One" that even brought a major-label record deal.

As surprising and influential as the sounds of the Folk Implosion were in 1995, they still sound different from anything that has come since, even almost 30 years later. The New York Times reports that, after a rancorous split in 1999, the duo of Davis and Barlow are back together again and planning on releasing new music (as well as rereleasing their songs from the soundtrack that boosted them into the popular conscience). Time will tell whether they can recreate the magic that started with a letter from an unknown filmmaker.