A personal weblog written by Robert: Mere Christian, aspiring minimalist, inveterate notetaker, budget audiophile and paper airplane mechanic.
My pen pal Adam thought I would enjoy this video and he was right. The short combines my love of fonts and of prayer books.
The new typeface, Ascension Serif, is used with an upcoming version of The Liturgy of the Hours. The video emphasizes the pursuit of beauty in conveying the Christian message and providing inspiration.
Last year, I bought TNT by Tortoise on CD from a Discogs seller.1 I should tell you, this sort of activity is as sure a sign of my devotion to a particular album as any. After all, I’ve got access to high-quality digital copies of albums like this through streaming. I don’t need to seek them out on an online marketplace, where, let’s face it, you don’t always know the quality of the merchandise.2
(more…)Terry Godier might be something of a genius, as evidenced by his masterfully crafted RSS reader, Current, and the ideas behind it. So when I saw he had created a short documentary about musical formats, one of my favorite subjects, I had high expectations.
Godier hits upon a lot of the problems intrinsic to streaming media in the video. When he discusses the limitations of physical media, he’s able to make them sound like desirable features.
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Psalm 52 by Seth T. Hahne
Some good news came this week in the form of more Velocity Girl remastering. This time it’s a compilation of non-album tracks from various places being released by Slumberland Records. The collection is called 1989-1992 and the contents are precisely what it says on the tin.
The first available track from the release is my favorite song by the band, “Forgotten Favorite.” Even after the remaster, it’s still a bit muddy, but I’m not sure if there is anything more the band could do apart from rerecord the track completely. It’s still a stellar song through, with a shoegaze-worthy crush of guitars that’s as propulsive as anything put out by UK pedal hoppers. Despite some muck still on the recording, the vocals are pristine, and Sarah Shannon sounds heavenly.
(more…)I’ve been getting car sick when trying to read in a moving car since I was a kid. Little did I know, my favorite computer manufacturer has a solution for that, which was brought to my attention by this piece in The Verge. The technology is called Vehicle Motion Cues.
According to big-S Science, this type of vehicle motion sickness is caused by the eyes staring at a static display while the inner ear feels the car turning, braking, and accelerating. Motion Cues solve this by placing dots around the periphery of the display that move in harmony with the motion of the car. When the car turns right, the dots sweep across the screen to the left; when the car brakes the dots slide forward.
I can’t wait to try this out, especially on a long trip.
Louie Mantia offers some new drive icons based on the datatapes from Star Wars, and they’re pretty fun.
(more…)The Imperial data vault on Scarif contained thousands of datatapes, one of them being the plans for the Death Star. After the plans were broadcast to the Rebel fleet, they were transferred to a small datacard.
The last few days have brought with them some serious nineties nostalgia. So it’s fitting that Weezer released a video for their new single, “We Might As Well Be Strangers.” The song represents a return to the form for the prolific but not always consistent band.
Perhaps the best part of the song and the video is the inclusion of guest Karly Hartzman of Wednesday. Hartzman brings her punk rock sneer and pout to the breakup song. As Grace Robins-Somerville notes for Paste Magazine, Hartzman perhaps outshines Weezer’s frontman.
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